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Category: Zoltan

Zoltan: The old dog learning new tricks

Cringe

We have spent the last few years waging a collective war on machine-generated text. We bemoan the robotic syntax, the predictable structural transitions, and the bloodless summaries that clutter our professional feeds.

So aggressive has the pushback been that social networks have even introduced explicit reporting mechanisms to flag automated clutter.

The underlying thesis is noble: if we could just filter out the synthetic noise, the rich, authentic hum of human wisdom would shine through.

Except that is not quite what happened.

What we get now is variations on the following;

Start with a vulnerable admission (“I cringe posting this,” “I don’t know if I should share this,” “Today I received a photo…”)

Insert a personal story that sounds profound (the desert in Qatar, having purple hair, turning 40 trauma, a corporate pivot, making a bed)

Pivot to a “lesson learned” – usually something obvious dressed up as a revelation.

Add a numbered list (because LinkedIn demands lists)

And of course add a photo that is supposed to be ‘of the moment’, but really a high-production, soft-focus portrait accompanying the deeply dramatic essay.

End with a call to action/question to drive engagement (“What’s that for you? Share it. Go on. Dare ya!”)

Optional: include a joke to seem relatable

Sure, these posts that we see ‘suggested’ every day may not be AI slop, but they are far worse – Cringe

Recalculating

Recalculating: How convenience, algorithms, and the monetisation of everything are steering us off course

A quick heads-up before you read:

On the surface, this post covers a HGV stuck in a narrow country lane, the decline of local journalism, the visual noise of late 1990s web design, how the LinkedIn feeds operate, and why AI platforms are starting to look like modern ad space.

They might sound completely unrelated. But if you follow the thread to the end, they are all symptoms of the exact same digital shift, and it affects how every one of us works, thinks, and navigates decisions today.

Here’s how it all connects…

Full essay here

Mainly because its a…

His name is Geraint Pillock, and for some, he is the greatest Welshman who ever lived. That puts him in stiff competition with Tom Jones, Gareth Edwards, and Rob Brydon, but Geraint holds his ground.

Never heard of him? Now’s your chance.

Geraint Pillock was a cult-favourite comedic character created by John Sparkes for the classic HTV Wales sketch show Barry Welsh is Coming.

He was an eccentric, stone-faced coracle enthusiast best known for answering every news reporter’s question with his legendary catchphrase:

“Mainly because it’s a challenge for me, a challenge for the coracle, and a personal challenge for me.”

Which brings us, naturally, to AI watermarking.

AI and the Hudson

“AI is your co-pilot” – or so the corporate slogan goes.
But what happens when your co-pilot starts quietly hallucinating the flight plan, making up data, and steering you off course?

We are treating AI like a reliable team member, but our professional relationship with it is following a troublingly human lifecycle, moving from initial infatuation straight into frustration and doubt.

Here is why treating AI as a “co-worker” works right up until it doesn’t, and what it actually takes to keep control of the flight deck…

More on this here

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